Non essere cattivo begins with an ice cream cone, as an tribute to the most famous scene of Amore Tossico (Toxic Love), the first of the three movies directed by…
Frederick Wiseman’s movies are like capsules that we should send to the space, as a proof of what is like to live in the Western world nowadays, fiction filters excluded….
To Cary Fukunaga, the background is as important as the first floor. We have already grasped it in his Jane Eyre and also with the first season of True…
It should have been “Charlie Kaufman at full gallop”, finally free from the fear of producers and distributors, finally unrestrained thanks to a crowdfunding loan and tet Anomalisa is one…
Marco Bellocchio’s movies surrender increasingly less to logical thinking dictatorship, they don’t want to be bound to a plot in the strictest sense of the word, nor they want to…
Rabin’s murder is for Israeli society what is Kennedy’s one for Americans, a shot trauma. Amos Gitai confirms this implicitly, retracing the idea of a inquiry movie like JFK by…
How much does the fact of doing right things require effort? This seems to be the fundamental question in Wednesday, May 9, the cinematographic debut of the Iranian Vahid Jalilvand….
Drake Doremus’s new movie begins terribly. It starts in the most anonymous world, in a future in which men are forced to be all the identical and drugged in order…
“That old prickly Hanake did it, why can’t I?” That’s what the 27 years old Brady Corbet should have thought while he chose to approach and re-elaborate a story by Jean-Paul…
It’s well-known that Dito Montiel is a director who works pretty freely with all the cinematographic matter; at least, you can guess it if you know his free life organization…
