by Chiara NuzziPavilion of Luxembourg at the 54th International Art Exhibition – la Biennale di Venezia
Martine Feipel & Jean Bechameil: Le Cercle Fermé
René Kockelkorn, commissioner
Martine Feipel & Jean Bechameil, under the curatorship of René Kockelkorn, have been selected to represent Luxembourg at the 54th International Art Exhibition – la Biennale di Venezia which will run from 4 June – 27 November 2011.
Since 2008, Jean Bechameil has been based in Luxembourg where he works in collaboration with Martine Feipel. In 2009 they participated in the Kunst & Zwalm Biennale (B) with a collaborative artwork, and in 2010 they presented an exhibition of their work at the Centre d‘Art Nei Liicht in Dudelange (L).
Martine Feipel & Jean Bechameil mainly produce installations that react to the context in which they are presented. From drawings and sculptures that serve as models, the couple tries to create spaces; by crossing and fragmenting volumes, they recreate a dislocated, rickety universe that is, a priori, completely illogical.
The notion of space is generally central to the work of Martine Feipel & Jean Beachmeil. This is also the case in the artwork presented for the 2011 Venice Biennale.
The observer is presented with a single idea: the obvious necessity of finding a new type of space.
The aim of the artists is to communicate the awareness that sensorial perception has physiological limits – and that our conception of space is historically dated. Henceforth, in the wake of the philosophy of Jacques Derrida, it is a case of trying to go beyond the limit of a place to find a new one.
This comes down to thinking about the meaning of the limit and the meaning of space which is mainly the result of tradition. The important thing is not to overstep or transgress the law by crossing the limit but to ‘‘open’’ a space at the very heart of the former space.
This opening does not create new space to occupy, but rather a sort of pocket hidden inside the old meaning of the limit. It is about an opening in space according to the principle of slippage. This internal slippage and the recreation of space always implies the destruction of an institution. The meaning of the word “space” is profoundly destabilised. In this, the two artists are very topical because the management of space is in crisis. This space we think of as living space is simultaneously a space of action, orientation and communication. The development of science and technology, the erosion of particular visions of the world and traditional value systems, the structural crisis of the economy and the exacerbation of the issue of logic question a traditional conception of space and management that only thinks in terms of fields of competence and is obsessed with the constraints of growth and valorisation. We live in a period of mutation in which past models of orientation and action no longer work.
Certainly, the situation still seems open, but we lack concepts of action capable of responding to the ecological crisis and the crisis of civilisation we are currently experiencing without endangering democracy, human rights and the physical necessities of life.
Today, there is no doubt that it is more urgent than ever to consider any reflection on the question of space as a work of civilisation, as a remodelling of civilisation. Modifying the everyday completely remodels our world, and that is what this is all about.
The artwork can be understood on various different levels that touch as much on philosophy as on art history or society.
54th International Art Exhibition – la Biennale di Venezia
Opening: 2 June 2011 at 6 p.m.
Preview: 1 – 3 June 2011
Official opening: 3 June 2011
Open to the public: 4 June – 27 November 2011
The official representation of Luxembourg at the 54th International Art Exhibition – la Biennale di Venezia is financed by the Ministry of Culture, Luxembourg. The coordination of the project is under the auspices of the Casino Luxembourg – Forum d‘art contemporain.@positive_mag on twitter for the last updates